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Ingong aus der Legende von Ingong auf seinem Thron in der Comic Partitur

chamber music

Lumina - Legende von Ingong

In the comic score "Lumina Legend of Ingong" music and plot are combined.

Ingong aus der Legende von Ingong auf seinem Thron in der Comic Partitur

chamber music

13

A game and a piece of music at the same time.

An interwork.

Ingong aus der Legende von Ingong auf seinem Thron in der Comic Partitur

video + choir

Lumina [Prolog]

This piece introduces my fantasy world "Lumina".

Ingong aus der Legende von Ingong auf seinem Thron in der Comic Partitur

Minecraft

13-competitive Minecraft version

The second game in the 13th series.

A game within a game and at the same time a piece of music.

Ingong aus der Legende von Ingong auf seinem Thron in der Comic Partitur

opera

Jane - a space opera

A young recruit explores unknown worlds with a space fleet while surviving intrigue and a mysterious threat. The libretto was written by Olivia Graffam and Lilith Pape.

Ingong aus der Legende von Ingong auf seinem Thron in der Comic Partitur

Minecraft

Minecraft 12-Tone random generator

The name describes the piece.

noitisnarT

tape

This is a play about the Nuremberg Trials. It was premiered in Room 600 of the Palace of Justice. Original recordings of the trials were used.

Happy Track

tape

Incidental music for the play "Biene im Kopf" by Roland Schimmelpfennig in the production by Hanna Müller at the Residenztheater

Studie (002) - conversation

tape

An experimental sound research between utopia and dystopia, structure and chaos, dialogue and silence. Each study explores its own acoustic atmospheres - from eerie to playful, from unstable to harmonious. A sound experiment about perception and emotion.

The series includes Studie 001 (utopian dystopia) (2020), Studie 002 (conversation) (2020), Studie 002 c) (piano) (2020), Studie 003 (creepy) (2020), Studie 004 (creak) (2020), Studie 006 (game) (2021) and Studie 007 (unstable) (2022).

Funny Track

live electronics

The music for"...oder kann das weg?" accompanies the performative examination of the boundary between art and propaganda. It creates sonic contrasts between aesthetic expression and manipulative effect and reflects the ambivalence between artistic freedom and political influence. The use of complex sound structures creates a musical dialogue with the performers' experiences and the questions of the piece: When does art become an instrument? When is it just a backdrop? And what remains in the end - art or junk?

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