In the comic score "Lumina Legend of Ingong" music and plot are combined.

Schmiedsori transfers the story of the folk song “De Groffschmitt” to Korean society in the Joseon period. It combines the narrative structure and themes of the European folk song with musical and cultural elements of traditional Korean music. This juxtaposition creates an exciting dialogue between the historical and social backgrounds of both cultures, highlighting parallels and differences.

Munich is a musical portrait of the city that captures personal impressions and atmospheric scenes. The piece reflects my ambivalent feelings towards the city.

Musical setting of a text by Susan Maree Bradly Smith.

Blackbox is an instrumental theater piece in which a black-painted box is the focus. Through sound and scenic explorations, the box is explored as an object, symbol and projection surface. Musicians and performers interact with it, change its meaning and question its function. The piece plays with visibility and the hidden, sound and silence, space and limitation and makes the "black box" a central element of the musical and theatrical events.

Dat Burlala 2 deals with the folk song of the same name and explores its melodic and structural peculiarities in a new musical context. The piece takes up characteristic elements of the song, varies them using modern compositional techniques and thus creates a connection between traditional folk music and contemporary sound language.

Dat Burlala deals with the folk song of the same name and explores its melodic and structural peculiarities in a new musical context. The piece takes up characteristic elements of the song, varies them using modern compositional techniques and thus creates a connection between traditional folk music and contemporary sound language.

The piece, in the style of a folk song, deals with the aesthetics of the folk song while consciously remaining connected to its origins. Inspired by “De Groffschmitt”, the piece transforms traditional structures and motifs without completely dissolving them.

A short and funny piece.

This piece introduces my fantasy world "Lumina".

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Melodies is a small song cycle with three songs: “Melody of the Pandemic”, “Heart to the Stars” and “Finally Home”. The lyrics are by Agnes Wiener, Jessica Müller and Julia Maschke.

Von dem Fischer un syner Fru un de Butt is a musical poem that interprets the Brothers Grimm fairy tale of the same name in sound. The work follows the constant increase in the desire and hubris of the fisherman's wife, while the flounder comes to life as a mystical figure in Marchal colors. The composition musically depicts the dramatic narrative through contrasting soundscapes and dynamic developments.

A game and a piece of music at the same time.

An interwork.

Eine öde morgendliche Fahrt in der Münchner U-Bahn (A dreary morning ride on the Munich U-Bahn) captures the monotonous routine of rush-hour commuting. The piece reflects the uniformity, the weariness of the commuters, and the peculiar silence that prevails despite the cramped train car. Through recurring patterns and subtle variations, a musical snapshot of the city's morning life is created.

The Wind, The Sea, The Vastness is a musical reflection on three defining elements of Northern Germany. The piece captures the movement of the wind, the power of the sea and the endless expanse of the landscape and at the same time expresses a deep feeling of homesickness.

Free is an improvisation for free instrumentation that leaves room for spontaneous sound design.

Trio Ardiente y Creciente is characterized by a growing line-up that expands from movement to movement. The first movement consists of the solo piece “Wild”, the second movement is a song that deals with the text “We are a dream of the times”, and the third movement borrows humorously from “Hurz” by Hape Kerkeling.

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Variationen (Klage) (Variations (Lament)) is a collection of three pieces that deal with different facets of grief and farewell.

Farewell is a play about the gradual drifting apart of two people. Without dramatic breaks, but through subtle changes, it tells of the quiet distance that grows until finally only memories remain.

Kannon is a collection of short pieces that explore the canon as a musical genre. Each piece explores different forms of imitation, interweaving and variation, reinterpreting the canon in a variety of sound structures and stylistic approaches.

UEEU – Universal Creation of a Universe (Universelle Entstehung eines Universums) is a work that depicts the process of the creation of new universes in the multiverse. In a compressed form, it deals with the forces and structures behind creation and translates these into a musical development that makes the cosmic origin tangible through sound.